Survive + Thrive

The sound of musical heritage

The Greater Boston Chinese Cultural Association's (GBCCA) Chinese Music Ensemble honors centuries of traditional Chinese culture.

By Joe Normandin

On a sunny spring afternoon in West Newton, as robins chirp on the branches of bare Norway Maples and the hum of traffic flows down the main drag on Washington Street, the sound of 5,000 years of Chinese tradition can be heard just yards away echoing throughout the halls of 437 Cherry Street.

Ensemble_lg.jpgErhus, dizis, pipas, yangqins (pictured to the right), dagus, ruans and zhengs all play intricately in unison as members of the Greater Boston Chinese Cultural Association’s (GBCCA) Chinese Music Ensemble celebrate their ancestors’ storied musical heritage.

Split between the adult ensemble, the youth ensemble and the joint ensemble, the GBCCA’s Chinese Music Ensemble practices at the GBCCA’s home on Cherry Street every first and third Saturday of the month. The group rehearses not just for the annual concert at Harvard University’s Paine Hall on May 30, in celebration of the ensemble’s 25th anniversary, but to stay in touch with their Chinese identity and roots.

Some members of the GBCCA’s executive committee, like Lih Nan, director of activities, hold a tremendous amount of admiration for members of the ensemble, especially since they only rehearse twice a month.

“Judging from the amount of time they spend rehearsing,” Nan said, “it’s amazing how good they sound.”

Sun Chan, 39, conductor of the ensemble since 2003, believes that being a member of the ensemble and learning to play traditional Chinese instruments provides a one-of-a-kind opportunity to discover an important part of Chinese heritage.

“Once they’ve learned to play the instrument, then they start to learn the history of the instrument,” said Chan, who used to be a director for a concert band in Taiwan before coming to America to get his D.M.A. (Doctoral of Musical Arts) at Boston University in 1995. “And what’s significant about it is that through their learning of the instrument, they learn that this is an aspect of what Chinese culture is all about.”

Thumbnail image for Thumbnail image for Ensemble2_lg.jpgChan (pictured to the left), who’s never played a traditional Chinese instrument—he learned their history and character by being a band leader and conductor—adds that his favorite part of being conductor is performing live because the ensemble gets to showcase a musical genre that seldom gets heard in the Western Hemisphere, let alone Boston.

“After the show, people come up and ask a lot of questions about the instruments and the ensemble,” he said. “So I feel like, ‘Wow! We’re doing a good job of promoting the culture.’”

It’s this cultural exposure that 16-year-old youth and joint ensemble member Christine Wu cherishes about playing the yangqin—a large hammered dulcimer instrument played with two bamboo sticks.

“Being part of the ensemble really brings out the Chinese culture to me,” Wu said. “I feel like if I wasn’t part of this group, I wouldn’t really feel like I could connect with traditional Chinese culture.”

While anyone is allowed to join the adult ensemble, provided they “do a lot of preparation,” said Chan, youth ensemble members are selected through an annual audition process.

Tai-Chun Pan, the 56-year-old dizi-playing director and founder of the ensemble, believes the youth ensemble auditions help to instill confidence and gratification for the youths who make the group,. The tryouts also ensure the ensemble possess the cream of the young talent crop.

“They’ve been through the audition process,” Pan said. “So they bring their talents and knowledge of their instrument to the group. And they like being part of the ensemble because they’ve been selected.”

Richard Ting, 16, couldn’t agree more with Pan.

“The auditions almost act like a filter to make sure everyone here is cool and willing enough to put the time into practicing their instrument,” said Ting, who in addition to playing with the joint ensemble, also teaches a Chinese Yo-Yo class at the GBCCA to children aged 8-16.

As the longest tenured youth ensemble member, Ting has played erhu—a two-stringed bowed instrument—since the youth ensemble’s inception at the end of 2000, when he was just 8 years old. He, like Wu, treasures the traditional Chinese culture he learns by being an ensemble member, but also values the social aspect of the group.

“The way we act here, if we acted this way at school it would be really weird because we’re a minority at our school,” Ting said. “Whereas here, everybody around us is Chinese, so it helps us socialize in a way that’s new to us.”

Nicole Chen, another youth and joint ensemble veteran at 16, has been playing numerous instruments in the youth ensemble for six years—including the sheng, dizi and ruan. She compares the GBCCA’s Chinese Music Ensemble members to kinfolk.

“I think the most enjoyable thing is the environment and the people you get to know,” Chen said. “It’s kind of like family because you know everyone so well.”

For Muhan Zhang, a 16-year-old erhu player, participating in the joint ensemble gives him insight not only into his cultural heritage, but also the Chinese-American community he belongs to.

“Something that I really appreciate about this is that adults and children play together,” Zhang said. “So it’s a way for us to reach out into the traditional, and also into knowing more about our parents and elders.”

Something that Chan appreciates from his youth ensemble members is the way they behave when they play their traditional Chinese instruments.

“You can see that when the kids pick up a Western instrument, they have a Western attitude when they come up on stage,” Chan said. “But when they pick up a Chinese instrument and walk on stage, you’ll see them being more like a Chinese band through their attitude. They just have a different appearance.”

40 Comments

Hello,

My name is Chi-Sun Chan, music director of the GBCCA Chinese Music Ensemble. I have been trying to contact Joe Normandin, who wrote this article about the Chinese Music Ensemble. I've sent him an email to his school email account but I think it is already not in use.

It would be greatly appreciated if someone could pass this message to him and let me know his contact information. Thank you very much!

Best Regards,
Chi-Sun Chan
Music Director, GBCCA Chinese Music Ensemble

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we are looking for a chinese musical ensemble instructor to be assigned here in the philippines. i was once an ensemble member who sang and play instruments a couple of decades ago.

unfortunately, our musical house and instruments were razed by fire ten years ago.

Please feel free to contact me

owen medina
email: smarchitect@yahoo.com
cellphone: +639217271116

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Up close and personal with the GBCCA's Chinese Music Ensemble

Listen to more of the GBCCA's Chinese Music Ensemble!